I just finished a very busy and exciting weekend. I was asked to show "Corporate Pillars", even though incomplete, at the Ravenswood Art Walk in Chicago this past weekend. The first public showing. Needless to say I was excited about the opportunity. I am very grateful to Moss Design who extended the invitation and opened their space to me. I also exhibited 5 other of my larger pieces.
Because of the size of the sculpture and the paintings I was exhibiting, I rented a cargo van to transport the work. I felt this was a better idea than trying to stuff things in my car in multiple trips. This was the first time I rented a van for my art work. It was a mini adventure. It also gave my work some importance. It warranted special transport. I really like the idea that my art and my opinion of my art has evolved to the point of treating it with reverence. All went well.
The art walk was very successful. I met many people and I still enjoy others admiring my work. I like talking about my work as well and I have more than enough willing listeners.
Next to the sculpture, I place a box to collect additional business cards for the project. I received a bumper crop of 102 business cards. That is a new event record. I am very pleased with the results. Now I have to shift gears and get ready for the Pilsen Open Studios on Oct 16-17 that I am participating in. I am curious how far I can push the sculpture in the next two weeks.
Monday, October 4, 2010
Thursday, September 30, 2010
Corporate Pillars Day 101
I am very proud to announce that this afternoon, I installed the incomplete sculpture of 2704 business cards at Moss Design in Chicago as part of the Ravenswood Art Walk taking place Oct 2-3, 11am-5pm. The sculpture is beginning to take form at roughly 27% complete.
The construction of the arches was a challenge but I believe I worked out the bugs and the next set of arches will go much quicker. Construction aside however, I am really enjoying getting out, meeting new people and talking about the project while asking for business cards. I have been to professional brunches and networking events. I have attended Chamber of Commerce meetings. I'm hoping to attend more networking type events physically and online to continue to bring in more business cards.
Another fun aspect of collecting the business cards is in the past week I have received several hundred business cards from people who I do not directly know or met. These are people who have responded to my call for donations on the Internet. I have received letters containing one card to 100 cards. Each morning I check my mail at the studio in anticipation of how many letters and how many cards may have come in. It is a rush.
As of today, I have received 3899 business cards. This is nearly enough to complete the second stage of the sculpture. I am behind in tracking the number of individuals and number of cities. I hope to catch up early next week. It is over 1200 people and 150 cities but being a bit detailed orientated, I want to know exact numbers.
For those in Chicago this weekend, please stop by and see the incomplete sculpture. It is cool to see it in this state. Thank you to all those who have donated (names listed on my website). To those first hearing about the project, please send me your business cards. A complete project description and mailing information can be also found on my site.
Please pass this information on to those who may find this an interesting project by email, Facebook or Twitter. Thanks in advance!
Tuesday, September 7, 2010
Corporate Pillars Day 78
I had a relaxing weekend. I spent most of my time running errands and catching up with friends. Saturday night I had dinner with my friend Tim. Chinese food. I hadn't had chinese food in a while. The restaurant also does sushi. Next to the take out menus by the door they had business cards, one for the chinese side, one for the sushi side. I took one of each.
Then, later that evening, Tim and I decided to get a night cap and we ran into Young and Clement who I had brunch with earlier in the day. Young had found 2 additional business cards from one of his associates.
That was 4 for the weekend.
Then this morning, I found one more card on the stairs while I was walking up to my studio. I know have collect 1918 business cards since I began this project.
I worked on the sculpture some today but it was mostly a painting kind of day. I did complete the 8th and 9th levels add begin the finishing work on the arches. I'll post pictures tomorrow with the weekly update
Then, later that evening, Tim and I decided to get a night cap and we ran into Young and Clement who I had brunch with earlier in the day. Young had found 2 additional business cards from one of his associates.
That was 4 for the weekend.
Then this morning, I found one more card on the stairs while I was walking up to my studio. I know have collect 1918 business cards since I began this project.
I worked on the sculpture some today but it was mostly a painting kind of day. I did complete the 8th and 9th levels add begin the finishing work on the arches. I'll post pictures tomorrow with the weekly update
Saturday, September 4, 2010
Corporate Pillars Day 75
Today is Day 75 of the Corporate Pillars business card sculpture project. Two weeks ago, I ran into my friends Young and Clement at a street fair. It had been a few months since we last saw each other. While catching up with each other, I mentioned the business card sculpture and both said they had business cards they could donate to the cause. Schedules being what they are these days, we finally met up this morning for brunch.
The timing was perfect. I had enough time to drop of the paintings at the studio and grab my ladder before meeting them on the other side of town. Brunch was a blast! Too many cups of coffee later, I left learning about the system used by a major airline employees to book flights. Both guys travel a lot for that fact both work for an airline is no big surprise. It was fun listening to their corporate stories. I am very much removed from that world but it played in perfectly to the sculpture project. Young did have one request. He asked that I put one of his cards at eye level. I don't think that will be an issue.
After brunch, I ran to the hardware store to pick up some ceiling paint. I still have hopes of painting at least one ceiling if not two this holiday weekend. If I do, I will still be on schedule to sell my condo this Fall.
In meeting Young and Clement for brunch, I recieved an additional 382 business cards for the project.
The timing was perfect. I had enough time to drop of the paintings at the studio and grab my ladder before meeting them on the other side of town. Brunch was a blast! Too many cups of coffee later, I left learning about the system used by a major airline employees to book flights. Both guys travel a lot for that fact both work for an airline is no big surprise. It was fun listening to their corporate stories. I am very much removed from that world but it played in perfectly to the sculpture project. Young did have one request. He asked that I put one of his cards at eye level. I don't think that will be an issue.
After brunch, I ran to the hardware store to pick up some ceiling paint. I still have hopes of painting at least one ceiling if not two this holiday weekend. If I do, I will still be on schedule to sell my condo this Fall.
In meeting Young and Clement for brunch, I recieved an additional 382 business cards for the project.
Tuesday, August 24, 2010
Corporate Pillars Update Week 4
Total # of Business Cards Received: 1234
# of Cards in the sculpture: 1007
# of People Represented: 540
# of Cities: 75
# of Completed Levels: 6 (7 & 8 partial)
# of Hours: 23
During Week 4, I became aware of the magnitude of the project I started. I crossed the 1000 card milestone and I realized that I truly only began constructing. With a need of 4000-5000 additional cards, I have to increase the promotion of the sculpture and myself in order to collect the remaining cards.
I must admit that each morning I am excited to come to the studio and check the mail. Seeing a letter for me which may contain a business card or two (or more) has become very fun. I quickly open the letter to see the card design and where it is from. Unfortunately, some don't always have a return address or name so I can't give credit and thanks to the sender. Regardless, it is fun.
I also enjoy the meditative state I achieve when constructing the main levels of the sculpture. There is not much brain power required for these levels, just action. Repetitive action. I get lost in the action, especially early in the morning when the building is quiet and no music is playing (the norm in my studio).
As usual, I am still soliciting business cards. I have to collect 4500 more, give or take. If you have not yet donated or know someone who would be interest in the project, please visit the project description for the full details.
Tuesday, August 10, 2010
Corporate Pillars Update Week 2
# of Business Cards Received this Week: 573
Total # of Business Cards Received: 614
# of Cards in the sculpture: 427
# of People Represented: 264
# of Cities: 65
# of Completed Levels: 5
Total # of Business Cards Received: 614
# of Cards in the sculpture: 427
# of People Represented: 264
# of Cities: 65
# of Completed Levels: 5
# of Construction Hours: 11
The structure began to take shape during Week 2. The support pillars are complete and now I am working on building the first arch. Construction of each floor is taking me longer than I was expecting. I am having difficulties keeping each level square with the level below.
In addition to the construction, I am still looking for business card donors. I estimate that the tower will require 4000 more business cards. Instead of throwing away your old cards or the cards from other you have collected, please consider donating to the project and recycle the business cards.
Please visit the project description for the full details.
Tuesday, August 3, 2010
"Corporate Pillars" Business Card Sculpture Update Week 1
Total # of Business Cards Received: 41
# of Cards in the sculpture: 26
# of People Represented: 26
# of Cities: 7
# of Construction Hours: 3
This week, most of my effort has been in getting the word out to begin collecting business cards from donors. I NEED THOUSANDS OF CARDS. My focus so far has been on the Internet (Blog, Facebook, Twitter). If you have suggestions of how to spread the word or collect additional cards, please email me at daniel@nolanstudios.com. I would love to hear your ideas.The picture to the right is beginning of the four towers that will support the sculpture.
Please visit the project description for the full details.
Please send business cards to:
Nolan Studios
c/o Daniel Nolan
2150 S. Canalport Ave
5C-3
Chicago, IL 60608
Friday, July 30, 2010
Featured Member on Ovation TV Arts Community
I've been named the August Featured Member on the Ovation TV Arts Community! Thanks Ovation TV!
Thursday, July 29, 2010
Sculpture: Corporate Pillars (working title)
I was in corporate America for 16 years and I felt like a small cog in a very large machine. I had a difficult time seeing how my daily efforts made an impact to the company, its goals and society. On occasion, I felt like cattle being herded into my office cubicle to do as I was told in order to satisfy the needs of the organization. I was a beast of burden. I was a human resource, not a person. I felt strip of my individuality. Yet, I am an individual and my contributions do matter. Others depended on me as I depended on others. Together, we got the job done.
Although I have made the professional transition out of Corporate America, there are many aspects of the lifestyle and culture that live on within me. This sculpture is to honor my past as well as all the individuals who collectively compose the corporate culture.
What will the sculpture look like?
The sculpture will be an office tower made out of donated business cards reaching between 6-8 feet high and roughly 2 foot square at the base.
Why an office building?
The corporate office building exists to house the people who make up the corporation. It is often the symbol and prestige of the corporate organization. It is where the corporate warrior spends the majority of his/hers life, often sacrificing personal life on behave of the corporate collective. It is where money is worshipped. The office building is a modern temple.
Why build a house of cards?
When the cards are arranged in specific patterns, the cards produce a stable edifice. Individually, the cards fall under the pressure of gravity. Collectively, they can grow upward producing structurally sound and amazing results. Remove one card, however, and the entire building can collapse. There is interdependency among the individuals in order support the structure.
Why use donated business cards?
Business cards are the main construction component to represent the masses of individuals that assemble a corporation. The sculpture, like a corporation, comes to life due to the collective efforts and contributions of individuals. As workers agree to participate in the corporate structure, the donations are the agreement to participate in this sculpture.
Where can I send business cards?
Please send business cards to:
Nolan Studios
c/o Daniel Nolan
2150 S. Canalport Avenue
5C-3
Chicago, IL 60608
All cards are accepted and greatly appreciated, whether it is 1 or 100, current or from a former position.
What do I get out of donating business cards?
Donors receive three things.
1.) Donors will be participating in a collective art project. It cannot exist without you.
2.) All those who donate business cards will be receive the Nolan Studios Monthly Newsletter which will track the progress of building of the sculpture as well as other art projects.
3.) In addition, your name will be added to the list of donors on the Nolan Studios web site (http://www.nolanstudios.com/). The list of donors will be incorporated into the sculpture as well.
When will the sculpture be completed?
The project began on July 15, 2010. The hope is to complete the sculpture as soon as possible. The timeframe is greatly dependent on the number of donated business cards received.
How can I track progress of the sculpture?
Updates will be posted in the
1.) Nolan Studios Monthly Newsletter
2.) Tracking page on the Nolan Studios web site (www.nolanstudios.com)
3.) Facebook Fan Page (www.facebook.com/danielnolanfanpage)
For additional information, please email me directly at daniel@nolanstudios.com.
Friday, July 23, 2010
Do You Have Extra Business Cards?
I'm starting a new project next week, a combo scuplture and card house. I'm asking your help. I need business cards. All types accepted, current or old. The business cards are a key element to the sculpture.
Please send to
Nolan Studios
c/o Daniel Nolan
2150 S. Canalport Ave
5C-3
Chicago, IL 60608
All donations will be posted on my website documenting my progress.
Please send to
Nolan Studios
c/o Daniel Nolan
2150 S. Canalport Ave
5C-3
Chicago, IL 60608
All donations will be posted on my website documenting my progress.
Thursday, July 22, 2010
Monday, June 21, 2010
What Inspires Me?
Recently, I have been getting a similar question over and over, namely, what inspires me? The idea of inspiration can for some take on a mystical quality and at some level I suppose it does for me as well, especially of when I think of the times when I know I am experiencing inspiration in the moment. Unfortunately, I'm not aware it occurring often. The frequency is increasing however, which is definitely a good thing.
A month ago, I was sitting in a Starbucks that I go to in my neighborhood when I feel the need to be around people. I was sitting in a chair that I have sat countless times over the past 13 years I've lived in the neighborhood. On the wall hung the typical Starbuck mass produced coffee themed art. Something caught my eye and I stared. First, I found it odd that I was staring at a picture I didn't particularly liked and I had seen many times over the years but something was different. I then noticed that I was studying it intently, the color, forms and shapes, the feeling. I took a quick picture with my cell phone and went back to my work. Periodically, I would look back up at it.
I decided that I had to create my version of what I saw when I returned to my studio the next day.
A few weeks later, I was again at the same Starbucks and there was the picture that inspired me. But it appeared different to me. The colors and feeling were different compared to the last time I was there. Thinking I may have lost my mind, I looked at the photo I took and it matched up with what I was seeing, not what I had saw. That was when I realized that I had a moment of inspiration. I saw something interesting, something different, than I had seen before. Since then, I have had that experience a few more times and fortunately I am learning to pay attention to those moments.
So, when people ask what inspires me, the answer is everything. I don't know where it will come from or when but it often is something common and often overlooked. I just get a chance to see it in a different way than before and that seems to be enough to trigger something in me to go with it.
On a side note, the paintings that came from my Starbucks experience do not look like the painting in Starbucks. They are however some of the best work I have done to date. Photos will be available shortly. I'm in the process of having these developed as prints.
A month ago, I was sitting in a Starbucks that I go to in my neighborhood when I feel the need to be around people. I was sitting in a chair that I have sat countless times over the past 13 years I've lived in the neighborhood. On the wall hung the typical Starbuck mass produced coffee themed art. Something caught my eye and I stared. First, I found it odd that I was staring at a picture I didn't particularly liked and I had seen many times over the years but something was different. I then noticed that I was studying it intently, the color, forms and shapes, the feeling. I took a quick picture with my cell phone and went back to my work. Periodically, I would look back up at it.
I decided that I had to create my version of what I saw when I returned to my studio the next day.
A few weeks later, I was again at the same Starbucks and there was the picture that inspired me. But it appeared different to me. The colors and feeling were different compared to the last time I was there. Thinking I may have lost my mind, I looked at the photo I took and it matched up with what I was seeing, not what I had saw. That was when I realized that I had a moment of inspiration. I saw something interesting, something different, than I had seen before. Since then, I have had that experience a few more times and fortunately I am learning to pay attention to those moments.
So, when people ask what inspires me, the answer is everything. I don't know where it will come from or when but it often is something common and often overlooked. I just get a chance to see it in a different way than before and that seems to be enough to trigger something in me to go with it.
On a side note, the paintings that came from my Starbucks experience do not look like the painting in Starbucks. They are however some of the best work I have done to date. Photos will be available shortly. I'm in the process of having these developed as prints.
Thursday, June 10, 2010
Wednesday, June 9, 2010
Friday, June 4, 2010
Thursday, June 3, 2010
Wednesday, May 12, 2010
In the New Studio!
This is my first blog since moving into my new art studio. So far it has been adventure and I'm looking forward to the next twist and turns. To start, days before the move, I became anxious and nervous. Change can be challenging, especially big change. I saw moving into the studio a big change. Fortunately, the space wasn't ready as scheduled and the move was delayed 2 days. That gave me some time to breath, relax, and regroup. Come Monday morning, I was ready and eager to go.
When I got to the building, the building management and maintenance crew helped me unload the first car load. 15 minutes, boom, I was in. Oops! No electricity in the space yet. They building staff was working on it and I really didn't care since I was just moving in. I didn't plan on painting at all.
I drove home, picked up lunch and another load to stuff. The afternoon unload I had to do alone, which I had planned. The elevator was out of service however, something I had not planned. So, I carried everything up 5 flights of stairs. And I continued to do that for the remainder of the week. Great exercise! I didn't have to go to the gym. That was the best time saver.
Slowly, as the week progressed, the studio began to take shape. By Wednesday I started painting again. It felt good (I was still in the dark but the sun was shining and I worked by the window). Did I mention there is a huge window in the space?
I am now in week 2 of the studio. The experience so far has been and continues to be incredible. I now have electricity and lights. I am painting longer and longer each day and now I'm to the point I have to tell myself to stop and go home. I have also noticed a shift in my style. It appears to be loosening up and becoming a bit more experimental.
All in all, I am very happy I decided to get a dedicated space for creating art work. This will be a great learning experience.
2150 S. Canalport Ave., 5C-3, Chicago, IL 60608 (That is in the Pilsen neighborhood just west of Halsted)
When I got to the building, the building management and maintenance crew helped me unload the first car load. 15 minutes, boom, I was in. Oops! No electricity in the space yet. They building staff was working on it and I really didn't care since I was just moving in. I didn't plan on painting at all.
I drove home, picked up lunch and another load to stuff. The afternoon unload I had to do alone, which I had planned. The elevator was out of service however, something I had not planned. So, I carried everything up 5 flights of stairs. And I continued to do that for the remainder of the week. Great exercise! I didn't have to go to the gym. That was the best time saver.
Slowly, as the week progressed, the studio began to take shape. By Wednesday I started painting again. It felt good (I was still in the dark but the sun was shining and I worked by the window). Did I mention there is a huge window in the space?
I am now in week 2 of the studio. The experience so far has been and continues to be incredible. I now have electricity and lights. I am painting longer and longer each day and now I'm to the point I have to tell myself to stop and go home. I have also noticed a shift in my style. It appears to be loosening up and becoming a bit more experimental.
All in all, I am very happy I decided to get a dedicated space for creating art work. This will be a great learning experience.
2150 S. Canalport Ave., 5C-3, Chicago, IL 60608 (That is in the Pilsen neighborhood just west of Halsted)
Monday, April 26, 2010
Inspiration
I enjoy hearing random people I speak with that they are not "creative". I don't believe it but I usually let them finish their explanation. It is sometimes coupled with praise for my work which makes it more difficult for me to challenge their view of "not being creative" without losing the praise. I like getting the praise. As I have written about before, I believe all are creative in one way or another. People get ideas and then they do something as a result of the idea.
Being creative has two major components, idea and action. Another ingredient or possibly a catalyst is inspiration. For me, I experience two types of inspiration, inspriation that leads to ideas and inspiration that leads to taking action.
When I'm dreaming, walking down the street, on the verge of waking up or falling asleep, meditating, watching tv or reading a magazine, I "receive" images or ideas for art projects (and not art projects). I describe this as receiving the ideas because the often feel like they come out of no where and are unrelated to what I am thinking or doing at the time. They feel like a gift. With the ideas I receive is typically a purse of energy. It is this energy consider to be inspiration. It is fuel for the idea.
But after I have the idea, it is not uncommon for it to sit in my head for weeks or sometimes months or years before it comes out in any form (if ever). An idea is just and idea after all.
Fortunately, I also experience an inspiration to take action. This is a little more than feeling motivated to push an idea forward. When this occurs, I'm excited, energized, motivated, encouraged to bring my idea into reality. This is a need or desire to take action and the action feels good, physically and emotionally. As long as I can focus on the inspiration, I am able to ride the wave and continue to take action. But, on occassion, I get distracted, the flow it broken and the momentum seems to slip away. I can get the inspiration back with concentrated effort. Distractions however will come back to haunt me.
I've learned that the inspiration that leads to ideas and the inspiration that leads to action don't necessarily come at the same time or are even on similar schedules. Fortunately, with patience and perservernce, both will return and the combination of the two allow me to be creative.
Being creative has two major components, idea and action. Another ingredient or possibly a catalyst is inspiration. For me, I experience two types of inspiration, inspriation that leads to ideas and inspiration that leads to taking action.
When I'm dreaming, walking down the street, on the verge of waking up or falling asleep, meditating, watching tv or reading a magazine, I "receive" images or ideas for art projects (and not art projects). I describe this as receiving the ideas because the often feel like they come out of no where and are unrelated to what I am thinking or doing at the time. They feel like a gift. With the ideas I receive is typically a purse of energy. It is this energy consider to be inspiration. It is fuel for the idea.
But after I have the idea, it is not uncommon for it to sit in my head for weeks or sometimes months or years before it comes out in any form (if ever). An idea is just and idea after all.
Fortunately, I also experience an inspiration to take action. This is a little more than feeling motivated to push an idea forward. When this occurs, I'm excited, energized, motivated, encouraged to bring my idea into reality. This is a need or desire to take action and the action feels good, physically and emotionally. As long as I can focus on the inspiration, I am able to ride the wave and continue to take action. But, on occassion, I get distracted, the flow it broken and the momentum seems to slip away. I can get the inspiration back with concentrated effort. Distractions however will come back to haunt me.
I've learned that the inspiration that leads to ideas and the inspiration that leads to action don't necessarily come at the same time or are even on similar schedules. Fortunately, with patience and perservernce, both will return and the combination of the two allow me to be creative.
Thursday, April 22, 2010
Wednesday, April 21, 2010
Friday, April 16, 2010
Thursday, April 15, 2010
Wednesday, April 14, 2010
Spring Note Cards
A friend of mine just posted some great note cards. Please take a look.
http://albertellenich.posterous.com/spring-notecard-ideas-0
http://albertellenich.posterous.com/spring-notecard-ideas-0
Monday, April 12, 2010
Slow Start, Good Finish
When I woke up this morning, I didn't feel particularly creative. And yet, I have paintings to finish and new ideas to begin. I procrastinated for about an hour before I realized that my first newsletter was being sent out this afternoon. The thought was the spark I needed to move a bit faster (okay, just move).
I decided on the pieces I was going to work on and when those were done for the day, which idea I was going to begin. I changed into my painting clothes, old jeans and paint covered t-shirt, and stood there. More procrastinating. I walked over to the bonsai which of course needed water. So I watered them. They can't water themselves. I moved some furniture around to have better flow and/or more space for me to work in (I haven't moved into my new studio yet). No big surprise, the new furniture placement didn't result in a better flow or more space.
So, standing in front of my workbench, which needs to be cleaned by the way, I stared at the mess, the used mixing cups, bottles of paint, gloves, etc. All the items on the workbench needed a home. I wanted so badly to reorganize but by that point I was quite aware I was procrastinating. Then I was hit by a series of thoughts. Will the newsletter be popular? How will I increase my mailing list? Can I use it in future to help generate sales? Off my mind went. It was thinking about everything and anything EXCEPT painting. I think if someone held up a shiny object I would have been entranced by it.
Eventually, I started working. In a very, very short period of time the random thoughts were gone. Or at least I wasn't aware of them. I was methodical, precise, intentional and quick. Task after task, painting after painting, I kept going. I was an art machine.
At the point I was working on applying a based coat for a new piece I decided to start today, I was working very fast speading the resin over the large canvas before the resin began to set up. About half way through, I was became aware that although the radio was on, I didn't notice it. The earlier thoughts and urge to procrastinate were completely gone. I felt like I was an extension of the painting, or the painting was an extension of me. I'm not sure which. Oddly, and unfortunately, when I became aware that I was in the flow, I immediately fell out of it. As much as I tried to jump back into the flow I could not. In fact, the more I worked for it, the more elusive it was.
The thing I am grateful for is that I did get into the flow today, at least once. I'm hoping I can get back there tomorrow.
I decided on the pieces I was going to work on and when those were done for the day, which idea I was going to begin. I changed into my painting clothes, old jeans and paint covered t-shirt, and stood there. More procrastinating. I walked over to the bonsai which of course needed water. So I watered them. They can't water themselves. I moved some furniture around to have better flow and/or more space for me to work in (I haven't moved into my new studio yet). No big surprise, the new furniture placement didn't result in a better flow or more space.
So, standing in front of my workbench, which needs to be cleaned by the way, I stared at the mess, the used mixing cups, bottles of paint, gloves, etc. All the items on the workbench needed a home. I wanted so badly to reorganize but by that point I was quite aware I was procrastinating. Then I was hit by a series of thoughts. Will the newsletter be popular? How will I increase my mailing list? Can I use it in future to help generate sales? Off my mind went. It was thinking about everything and anything EXCEPT painting. I think if someone held up a shiny object I would have been entranced by it.
Eventually, I started working. In a very, very short period of time the random thoughts were gone. Or at least I wasn't aware of them. I was methodical, precise, intentional and quick. Task after task, painting after painting, I kept going. I was an art machine.
At the point I was working on applying a based coat for a new piece I decided to start today, I was working very fast speading the resin over the large canvas before the resin began to set up. About half way through, I was became aware that although the radio was on, I didn't notice it. The earlier thoughts and urge to procrastinate were completely gone. I felt like I was an extension of the painting, or the painting was an extension of me. I'm not sure which. Oddly, and unfortunately, when I became aware that I was in the flow, I immediately fell out of it. As much as I tried to jump back into the flow I could not. In fact, the more I worked for it, the more elusive it was.
The thing I am grateful for is that I did get into the flow today, at least once. I'm hoping I can get back there tomorrow.
Friday, April 9, 2010
The First Newsletter
This week has been productive. I completed two paintings, ordered lights for the new studio and completed and scheduled my first newsletter. I'm excited and anxious about it. The newsletter is something I have thought about and talked about for several years now and now it is a reality. It is just another example of getting my work and name out into the Ether.
Now that the first one is under my belt, I'm not exactly sure what I was afraid of that lead me to drag my feet. Yes, there is a cost involved, dollars and my time, but both are minimal. My mailing list is relatively small but then again who knows where emails go after I hit "send". I actually see growing the mailing list as a game. How many emails can I collect this month? (By the way, if you would like to sign up for the newsletter, please go to http://www.nolanstudios.com/ and look in the top corner.)
My goals for the newsletter are many. I want to stay in contact with people who like my work, first and foremost. I want to present recently completed works as well as news and events. I also want to provide descriptions of my process/techniques, current art trends, and how to incorporate more creativity into our daily lives. I may be biting off more than I can chew but time will tell. I also want to hear from you. What works and doesn't work. The newsletter for me is a communication vehicle, sales vehicle and an educational vehicle.
I would say that my art career has been an interesting journey of "ups and downs" but I know that I have just started. The newsletter and the blog will help me document how things unfold.
Now that the first one is under my belt, I'm not exactly sure what I was afraid of that lead me to drag my feet. Yes, there is a cost involved, dollars and my time, but both are minimal. My mailing list is relatively small but then again who knows where emails go after I hit "send". I actually see growing the mailing list as a game. How many emails can I collect this month? (By the way, if you would like to sign up for the newsletter, please go to http://www.nolanstudios.com/ and look in the top corner.)
My goals for the newsletter are many. I want to stay in contact with people who like my work, first and foremost. I want to present recently completed works as well as news and events. I also want to provide descriptions of my process/techniques, current art trends, and how to incorporate more creativity into our daily lives. I may be biting off more than I can chew but time will tell. I also want to hear from you. What works and doesn't work. The newsletter for me is a communication vehicle, sales vehicle and an educational vehicle.
I would say that my art career has been an interesting journey of "ups and downs" but I know that I have just started. The newsletter and the blog will help me document how things unfold.
Nightmare
24"w x 24"h
Resin on Canvas
Thursday, April 8, 2010
Now and the Future
Although I have several weeks yet to wait before I move into the new studio space, I'm very excited. The fantasies have started of how I will arrange my work space, what projects I will begin, what new ideas may come to me, etc. It feels like a just got a new job.
On the other hand, it has also been difficult to continue working in my current studio space. I find that I have to continue to pull myself back to the present moment. There are unfinished projects to complete. There are new techniques to try out which ironically are the basis for those new big future projects. What I noticed is that when I concentrate on the moment, what specifically I am doing, I become absorbed by it. In addition, when I finish painting for the day, I feel a sense of accomplishment. I pushed the projects forward and often learn something new about the techniques I'm using or the approaches I'm taking to create the paintings.
In the past month, my technique and style has changed. All indications that they will continue to change for the near future, assuming I concentrate on the moment, receive the input and process without judgement. Prejudice and preconceptions can kill the creative process.
So, I allow myself to fantasize about the new studio and the new work life. But when it comes down to working, the actual creation, I will continue to concentrate and allow the painting to just "be" and "evolve" naturally. I guess the same can be said about me as well.
On the other hand, it has also been difficult to continue working in my current studio space. I find that I have to continue to pull myself back to the present moment. There are unfinished projects to complete. There are new techniques to try out which ironically are the basis for those new big future projects. What I noticed is that when I concentrate on the moment, what specifically I am doing, I become absorbed by it. In addition, when I finish painting for the day, I feel a sense of accomplishment. I pushed the projects forward and often learn something new about the techniques I'm using or the approaches I'm taking to create the paintings.
In the past month, my technique and style has changed. All indications that they will continue to change for the near future, assuming I concentrate on the moment, receive the input and process without judgement. Prejudice and preconceptions can kill the creative process.
So, I allow myself to fantasize about the new studio and the new work life. But when it comes down to working, the actual creation, I will continue to concentrate and allow the painting to just "be" and "evolve" naturally. I guess the same can be said about me as well.
Monday, April 5, 2010
"Forsaken"
"Forsaken"
February 2010
I, alone, crucify. I, alone, am crucified.
There are times when I feel rejected or abandoned. The motivation can stem from my reaction to the behavior and words of others, how I react to my behavior and words towards others, or how I react to actions and beliefs internally. This raises both negative and positive emotional and spiritual consequences. The incentive to gain praise, attention, approval, or bowing to peer pressure can result in denying or hiding fragments of myself or sacrificing me for the sake of another. Alternately, these same behaviors can also empower me to grow by learning and shedding life patterns that no longer serve me. In the end, whatever the outcome may be, forsaking oneself is indeed painful and lonely.
This painting represents the intrinsic rejection of myself or parts of myself by forsaking aspects of who and what I am. I chose the classic Western iconic image of the crucifixion because it illustrates suffering and rebirth at both a physical and spiritual level, the title, "Forsaken," being an allusion to Matthew 27:45-46 in the Christian Bible.
"Abandonado"
2010 de febrero
Yo, solo, crucifico. Yo, solo, soy crucificado.
A veces me siento rechazado o abandonado. El motivo puede provenir de mi reacción a la conducta y palabras de otros, cómo reacciono contra mi conducta y las palabras hacia otros, o cómo reacciono contra acciones y creencias internamente. Esto levanta ambas consecuencias negativas y positivas, emocionales y espirituales. El estímulo para ganar el elogio, la atención, la aprobación, o inclinándose para mirar la presión puede tener como resultado negar u ocultar fragmentos de yo mismo o sacrificándome por otro. Alternamente, estas mismas conductas también me pueden autorizar a crecer aprendiendo y la muda pautas de vida que ya no me sirven. Al fin, lo que el resultado puede ser, lo abandonando es verdaderamente doloroso y solitario.
Esta pintura representa el rechazo intrínseco de yo mismo o de las partes de yo mismo abandonando aspectos de quién y de lo que soy. Escogí la imagen Occidental clásica de icono de la crucifixión porque ilustra sufrimiento y renacimiento en ambos un nivel físico y espiritual, el título, "Abandonado," siendo una alusión a Matthew 27:45-46 en la Biblia cristiana.
Wednesday, March 31, 2010
What is Creativity?
For years, even in my old corporate life, I wonder about creativity. What was it? Is it a skill or a gift? Was is a procces or divine intervention?
Wikipedia has a good definition, namely, "creativity is a mental process involving the discovery of new ideas or concepts, or new associations of the existing ideas or concepts, fueled by the process of either conscious or unconscious insight." But I prefer a simplier definition. Creativity is the act of bringing an idea into reality.
When I have an idea, it is just an idea. It lives in my head. No one else can see or experience it. The idea is real but that is all that it is, an idea. However, when I applied action, I begin to do things that will make the idea real in substance. It can become physical, given sufficient action is taken.
In this broader definition, creativity is everywhere. Everyone is creative. When I think about what I want to eat for dinner, I have an idea for a specific meal. If I just sit there and think about that delicious meal I want, I would end up starving. It doesn't make itself. I have to do something, namely cook, order out or go to a restaurant. So I decide to stay home and cook. I take out the pots and pans, start the stove or oven, locate the ingredients and begin mixing. I am active in the creation of the meal. It would not happen without me. My idea, my action. I continue with the cooking of the food and finally place the meal on the plate. The meal is real. It was previously just an idea.
This is an everyday example of how there are instances of creativity in all our lives. The great novel or painting masterpiece are what I often hear people talk about when referring to being creative. But a profitable sales strategy, a successful teaching plan, a decorated room, a new mousetrap also are examples of creativity.
Look around. Everything we see, touch, experience in our daily lifes from a toothbrush to a Picasso started as an idea. Creativity is everywhere all the time. We are all practice creativity.
Wikipedia has a good definition, namely, "creativity is a mental process involving the discovery of new ideas or concepts, or new associations of the existing ideas or concepts, fueled by the process of either conscious or unconscious insight." But I prefer a simplier definition. Creativity is the act of bringing an idea into reality.
When I have an idea, it is just an idea. It lives in my head. No one else can see or experience it. The idea is real but that is all that it is, an idea. However, when I applied action, I begin to do things that will make the idea real in substance. It can become physical, given sufficient action is taken.
In this broader definition, creativity is everywhere. Everyone is creative. When I think about what I want to eat for dinner, I have an idea for a specific meal. If I just sit there and think about that delicious meal I want, I would end up starving. It doesn't make itself. I have to do something, namely cook, order out or go to a restaurant. So I decide to stay home and cook. I take out the pots and pans, start the stove or oven, locate the ingredients and begin mixing. I am active in the creation of the meal. It would not happen without me. My idea, my action. I continue with the cooking of the food and finally place the meal on the plate. The meal is real. It was previously just an idea.
This is an everyday example of how there are instances of creativity in all our lives. The great novel or painting masterpiece are what I often hear people talk about when referring to being creative. But a profitable sales strategy, a successful teaching plan, a decorated room, a new mousetrap also are examples of creativity.
Look around. Everything we see, touch, experience in our daily lifes from a toothbrush to a Picasso started as an idea. Creativity is everywhere all the time. We are all practice creativity.
Monday, March 29, 2010
I Leased a Studio!
Well, I did it! I found a studio space and signed a lease late last week. I'm scheduled to move in May 1st (Happy May Day!). The new studio is located in the Lacuna Art Lofts in the Pilsen neighborhood on the south side of Chicago.
The experience of hunting for a studio was a bit surreal. No matter what I saw, I was unable to imagine what my work day would look like. Then after some seemed like setbacks after making a decision, I forced myself to sit still. I didn't look at any additional studios. I didn't followup with any emails or voicemails regarding a space.
Then, at the moment I thought I was back to square one (actually I felt I was even further back than that), I received a call, saw a space, and I imagined how it would work. The images came with little coaxing. I saw the walls that didn't exist yet, where the door would be, how I would hang the existing art, where I would place the workbench, where I would do my work, how I would store the paintings. I even saw my new bonsai tree which I had purchased for the new space.
At the lease signing, I was excited but at piece. Signatures were exchanged and the check slid across the table. That was it. Kinda anti climatic given the struggle I made of looking for a studio.
One interesting thing I noted is that during the searching process, I didn't paint very much. I was stressed. I was concerned about schedules, money, getting a new exhibit, etc. But since the lease signing, I have been painting up a storm or as much as I can given my current space limitations.
I'm still a bit nervous not knowing where the rent will come from each month but then again that is also part of the fun of this adventure. I am experiencing many feelings at once, triggered by the new studio. I hope I can capture some of them in my art. Regardless, I am very grateful to have a studio.
The experience of hunting for a studio was a bit surreal. No matter what I saw, I was unable to imagine what my work day would look like. Then after some seemed like setbacks after making a decision, I forced myself to sit still. I didn't look at any additional studios. I didn't followup with any emails or voicemails regarding a space.
Then, at the moment I thought I was back to square one (actually I felt I was even further back than that), I received a call, saw a space, and I imagined how it would work. The images came with little coaxing. I saw the walls that didn't exist yet, where the door would be, how I would hang the existing art, where I would place the workbench, where I would do my work, how I would store the paintings. I even saw my new bonsai tree which I had purchased for the new space.
At the lease signing, I was excited but at piece. Signatures were exchanged and the check slid across the table. That was it. Kinda anti climatic given the struggle I made of looking for a studio.
One interesting thing I noted is that during the searching process, I didn't paint very much. I was stressed. I was concerned about schedules, money, getting a new exhibit, etc. But since the lease signing, I have been painting up a storm or as much as I can given my current space limitations.
I'm still a bit nervous not knowing where the rent will come from each month but then again that is also part of the fun of this adventure. I am experiencing many feelings at once, triggered by the new studio. I hope I can capture some of them in my art. Regardless, I am very grateful to have a studio.
Wednesday, March 17, 2010
A Frustrating Day
The hunt for a new studio space has proven to be a much bigger ordeal than I could ever have imagined. For weeks now I have looked at studios across Chicago, north, south, west. I calculated a budget and double and triple checked the numbers. I measured out my current space and figured out how much space I needed and then how much space I wanted. I backed into how my space I can currently afford, somewhere between "need" and "want".
After weeks of searching and contemplating, I spent the last week debating two studios, apples to oranges comparison just to make things more interesting. I have now made up my mind 3 times, second guessing myself each time.
So last night, I decided to pull the trigger and sign a lease. I slept like a baby in spite of my seasonal allergies kicking in. I was excited with a touch of being anxious. Finally, I can moved on, or at least I thought. I spent the morning completing the application, running to the bank and collecting the random pieces of paper needed for the lease signing dance. I drove out the building which was to be my new work space imagining driving there day in and day out. I was filled with excitement. My first studio. How cool!
Imagine my surprise and disappointment when I found out that the building manager wasn't there and wasn't available for the scheduled meeting. In addition, the paperwork the application required isn't the paperwork I needed to bring. My excitement turned to disappointment and then quickly anger. I felt that my time was wasted and my business wasn't appreciated. I also wondered if this is indicative of how the building is managed.
Perhaps I seconded guessed myself too many times and the other studio is where I "should" be. Time will tell. I decided to take the afternoon off and not move on the studio today. I am resisting the urge for a knee jerk reaction. Although I am impatient and I feel that I am behind schedule, I will end up where I end up when I am suppose to end up there. I don't want to force it.
I'm still frustrated however. I thought I was so close.
After weeks of searching and contemplating, I spent the last week debating two studios, apples to oranges comparison just to make things more interesting. I have now made up my mind 3 times, second guessing myself each time.
So last night, I decided to pull the trigger and sign a lease. I slept like a baby in spite of my seasonal allergies kicking in. I was excited with a touch of being anxious. Finally, I can moved on, or at least I thought. I spent the morning completing the application, running to the bank and collecting the random pieces of paper needed for the lease signing dance. I drove out the building which was to be my new work space imagining driving there day in and day out. I was filled with excitement. My first studio. How cool!
Imagine my surprise and disappointment when I found out that the building manager wasn't there and wasn't available for the scheduled meeting. In addition, the paperwork the application required isn't the paperwork I needed to bring. My excitement turned to disappointment and then quickly anger. I felt that my time was wasted and my business wasn't appreciated. I also wondered if this is indicative of how the building is managed.
Perhaps I seconded guessed myself too many times and the other studio is where I "should" be. Time will tell. I decided to take the afternoon off and not move on the studio today. I am resisting the urge for a knee jerk reaction. Although I am impatient and I feel that I am behind schedule, I will end up where I end up when I am suppose to end up there. I don't want to force it.
I'm still frustrated however. I thought I was so close.
Wednesday, March 10, 2010
Yet More Studios to See
The search for a new studio space continues. Playing fortune teller is not easy. Not only is this a case of space and budget, but the neighborhood, amenities and how the space feels are also key considerations. Also, since I work with resin, the fumes force some shared spaces out of consideration. Bacically, when it comes down to it, there is no perfect space.
Right now, I'm stuck in paralysis by analysis. Given that there is not perfect space within my budget, I have to compromise. This is where being a fortune teller is getting tricky. I don't know what I don't know. Having a dedicated art space is new for me. I'm excited and I expect good things but yet I am unaware of what may lie ahead if I choose one space over another. Simple lack of experience. So, all I can do is work with what I know today and move forward. The best part of a month to month lease is that I can always move if I have to.
I currently work in 250 sq ft. This includes the area I am using for storage. Basically my den and guest room. I have 3 spaces in one building, 350, 400 and 450 sq ft. Since the cost difference per month is small from the smallest to the medium size studio, I am leaning towards the 400 sq ft space. I don't know if I will notice the extra 50 sq ft in the larger studio. Does size matter?
So I have measured and calculated and looked at the checkbook 4 times now. I'm going to walk away and see if any of the spaces resonated with me. I'll keep you posted.
Right now, I'm stuck in paralysis by analysis. Given that there is not perfect space within my budget, I have to compromise. This is where being a fortune teller is getting tricky. I don't know what I don't know. Having a dedicated art space is new for me. I'm excited and I expect good things but yet I am unaware of what may lie ahead if I choose one space over another. Simple lack of experience. So, all I can do is work with what I know today and move forward. The best part of a month to month lease is that I can always move if I have to.
I currently work in 250 sq ft. This includes the area I am using for storage. Basically my den and guest room. I have 3 spaces in one building, 350, 400 and 450 sq ft. Since the cost difference per month is small from the smallest to the medium size studio, I am leaning towards the 400 sq ft space. I don't know if I will notice the extra 50 sq ft in the larger studio. Does size matter?
So I have measured and calculated and looked at the checkbook 4 times now. I'm going to walk away and see if any of the spaces resonated with me. I'll keep you posted.
Tuesday, March 2, 2010
More Studios To See
I continue to look for a new studio space. After a while they begin to look a like. Although, I think I found one today that may work well. Or at least, it has potential. Of course, I have to re-evaluate the budget.
I'm also working on the new web site. I can envision what it looks like but it is slow going. This includes a revamp of the blog as well.
And while I'm doing all of this, I'm also writing my first newsletter. One of these days (hopefully soon) it will go out and I can start building my mailing list as well.
Funny. When I have energy and motivation, I can't move fast enough. When I don't, it can all wait for tomorrow.
I'm also working on the new web site. I can envision what it looks like but it is slow going. This includes a revamp of the blog as well.
And while I'm doing all of this, I'm also writing my first newsletter. One of these days (hopefully soon) it will go out and I can start building my mailing list as well.
Funny. When I have energy and motivation, I can't move fast enough. When I don't, it can all wait for tomorrow.
Friday, February 26, 2010
Studio Hunting
This past week I have been looking for a new studio space. I feel it is time to take my art and business up a notch. Plus I need more space since many of my pieces are becoming larger in scale.
Looking for a studio is nearly a full-time job! And a bit stressful. Of course, like looking for a new apartment or house, no place is perfect, priced right, or in the right neighborhood. So this forces the question, what is it I really want from a studio? What is important?
First, I want more space. Second, I would like the space to be within my budget and lastly, I want to be part of a larger artistic community. So far, the larger spaces are out of my budget (time to rethink the budget)and all those in established art communities are full. So, this is becoming an exercise in predicting the future and/or gambling on what may happen if I go here or go there. Will a community develop? Will I find kindred spirits? Will I find a creative support network to challenge me to grow artistically?
In addition the the community, is the question of will people come to my studio for open studio nights? I suspect the neighborhod will influence that as well.
So, after one week, I have seen seven locations in three different neighborhoods. Two studios stand out. Do I decide now or continue looking? The funny thing is that I know which ever space I select, I will make it work. This feels like a big deal but I am beginning to thing it is only a big deal in my head.
This is like starting a painting. There is no wrong or right way to start and the end product will not resemble the original concept, it is often better. This may be a decision based on gut feelings than on rational decision making.
Time will tell where I end up. Regardless, this is going to be a fantastic experience. I'll post my new address once I get there.
Looking for a studio is nearly a full-time job! And a bit stressful. Of course, like looking for a new apartment or house, no place is perfect, priced right, or in the right neighborhood. So this forces the question, what is it I really want from a studio? What is important?
First, I want more space. Second, I would like the space to be within my budget and lastly, I want to be part of a larger artistic community. So far, the larger spaces are out of my budget (time to rethink the budget)and all those in established art communities are full. So, this is becoming an exercise in predicting the future and/or gambling on what may happen if I go here or go there. Will a community develop? Will I find kindred spirits? Will I find a creative support network to challenge me to grow artistically?
In addition the the community, is the question of will people come to my studio for open studio nights? I suspect the neighborhod will influence that as well.
So, after one week, I have seen seven locations in three different neighborhoods. Two studios stand out. Do I decide now or continue looking? The funny thing is that I know which ever space I select, I will make it work. This feels like a big deal but I am beginning to thing it is only a big deal in my head.
This is like starting a painting. There is no wrong or right way to start and the end product will not resemble the original concept, it is often better. This may be a decision based on gut feelings than on rational decision making.
Time will tell where I end up. Regardless, this is going to be a fantastic experience. I'll post my new address once I get there.
Friday, January 22, 2010
First Interview
I just finished my first interview as an artist for GALA Online Magazine (http://www.galamagonline.com). Founded on the east coast of the United States by Christine Gerity of New Jersey, GALA Magazine / LGBT Artists' mission is to give voice to unseen, unheard, and undiscovered artists within the lgbt community. Since I still consider myself as "emerging", it felt like a good fit.
The interview took about 15 in total and the questions ranged from why I did quite corporate to pursue art to plans for the future. I hadn't thought about the reasons why I started this in a while. It was good to "go back to my roots." It was motivating.
All week I've felt like I have been wandering aimlessly. Towards the end of the week, I began doing a few little things to promote the new series (going on the web site this weekend) and those small steps in conjunction with the interview fired me up. I'm looking forward instead of backwards again.
Anyways, the interview was very fun. I'm happy I had the experience and I'm hoping for more interviews in the future. I'll post the link to the article when it gets posted.
The interview took about 15 in total and the questions ranged from why I did quite corporate to pursue art to plans for the future. I hadn't thought about the reasons why I started this in a while. It was good to "go back to my roots." It was motivating.
All week I've felt like I have been wandering aimlessly. Towards the end of the week, I began doing a few little things to promote the new series (going on the web site this weekend) and those small steps in conjunction with the interview fired me up. I'm looking forward instead of backwards again.
Anyways, the interview was very fun. I'm happy I had the experience and I'm hoping for more interviews in the future. I'll post the link to the article when it gets posted.
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